About
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As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.
There's also original pomes in the journal archives.
As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.
There's also original pomes in the journal archives.
Links
- Index of Chinese translations
- Index of Japanese translations
- One Hundred People, One Poem Each (translator)
- Ice Melts in the Wind: The Seasonal Poems of the Kokinshu (translator)
- These Things Called Dreams: The Poems of Ono no Komachi (translator)
- Important Beyond All This: 100 Poems by 100 People (editor)
- Story Lines: A Book of Narrative Verse (editor)
- First League Out: Story Poems of the Sea (editor)
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Date: 26 January 2010 00:30 (UTC)I've read commentary that suggests that the "feeling" refers to Narihira's frequent questions, tentative forms, and incomplete sentences. I don't know the technical issues involved, but I'm a little dubious.
And yes, about Narihira's reversing our expectations. Impressive, in such a small space.
---L.