Kokinshu #375

Wednesday, 20 March 2013 07:21
lnhammer: the Chinese character for poetry, red on white background (Default)
[personal profile] lnhammer
Topic unknown.

    I'll not hear of it,
the day you start, cutting us
    like a Chinese robe
-- for, left behind like morning dew,
I must vanish when you go.

A certain man, having been named to an official post, took a new wife and abandoned the one he'd lived with for years. When he said to her merely, "I start tomorrow," she said nothing but wrote and sent him this poem.

—14-17 March 2013.

Original author unknown. Time for a short break from male friendships with three partings by lovers, all written in contemporary, Chinese-influenced styles in marked contrast to the older, plain manner of of #366-368. That the editors give the story as a footnote rather than headnote suggests they did not entirely trust it, even without hedging it with "some people say." Two pivot-words here, both used to attach decorative phrases that essentially act as adverbial stock epithets: tatsu is "cut" for the Chinese robe and "start/depart," and oku is "settle" for the morning dew and "leave (behind)." All this plus that "dew" and "vanish" are imagisticly related words makes this a technically elaborate piece. (I'm less satisfied than usual with my rendering here, but it's time to move on and come back later.)


karakoromo
tatsu hi wa kikaji
asatsuyu no
okite shi yukeba
kenubeki mono o

kono uta wa, aru hito, tsukasa o tamawarite atarashiki me ni tsukite, toshi ete sumikeru hito o sutete, tada asunamu tatsu to bakari ierikeru toki ni, to mo kau mo iwade yomite tsukawashikeru

About

Warning: contents contain line-breaks.

As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.

There's also original pomes in the journal archives.

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