lnhammer: the Chinese character for poetry, red on white background (Default)
[personal profile] lnhammer
What can be said, we speak out loud and clear,
Filling the schools and streets with human sound;
About the rest we must be silent, dear.

Our impulse? Just the usual -- a fear
The Cloud of Unknowing cannot be bound.
What can be said, we speak out loud and clear,

To blow by repetition, often and sincere,
The fog away, restating what we've found.
About the rest, we must be silent, dear.

The words are awkward, rumbling, light, austere,
Or sometimes sudden, waiting for the profound:
What can be said, we speak out loud and clear.

Yet sometimes words are echoes to the ear,
A tapping cane with which we map the ground
About the rest. We must be silent, dear,

Before the bank of future knowledge -- here,
Where dragons bark and ignorance surrounds
What can be said. We speak out loud and clear
About the rest. We must. Be silent, dear.

—October 2004, July 2005

A villanelle on first and last lines of the Tractatus. Some lines could use a little more work, methinks.

---L.

Date: 24 June 2009 22:49 (UTC)
From: [personal profile] ex_asakiyume313
Wow. I love the villanelle form.

I love the second-to-last stanza.

Sometimes I feel just that: that repetition, sounds, like here in this poem, somehow speak a meaning in us in a deep way that we can't even understand or articulate. So what good does it do us? I don't know; maybe changes how we grow? Maybe none, but utility isn't everything...

Anyway, so maybe your poem does similar--says something, shoots a little something into readers, in a deep way.

I've never read Wittgenstein, though a friend of mine from college--a friend who will visit in a few days, in fact, did, and I remember her talking about him.

About

Warning: contents contain line-breaks.

As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.

There's also original pomes in the journal archives.

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