Kokinshu #104

Monday, 27 June 2011 07:00
lnhammer: the Chinese character for poetry, red on white background (Default)
[personal profile] lnhammer
Written on seeing flowers fading.

    When I see flowers
my heart certainly
    fades with them as well.
I won't display these changes --
even that person won't know.

— 26 June 2011

Original by Ôshikôchi no Mitsune. In the original what he won't put forth is iro, here meaning both the flower's "color" and his own "appearance"/"feeling." While "changes" is not literal, it avoids collapsing the ambiguity. The point about not showing another seems to be to keep his lover from imitating the flowers by altering her affections. (It's either that, or he's affecting a stoicism unbecoming in a Heian courtier.) If it weren't for that last bit of forced cleverness, I'd like this poem a lot for its layering of meanings. As it is, my first three lines don't do it justice.


hana mireba
kokoro sae ni zo
utsurikeri
iro ni wa ideji
hito mo koso shire

Date: 28 June 2011 00:22 (UTC)
From: (Anonymous)
That's an interesting treatment of the last line. At first I was going to be all finger-pointy because I read it as "I won't let these changes show, [because if I did] that person might also know [how I feel]", where "know" is really more like "realize." But your version is the same idea from a different angle, really, isn't it?

Also, I think the point is that his feelings have changed but he wants to keep it a secret for his own reasons. (Why would he care if his girlfriend's feelings changed too? Surely that would be better for him, allowing a clean break?)

Plus, I guess that reading "hito" as "people" rather than a particular person is a popular option too. Any particular reason why you avoided that? --Matt

About

Warning: contents contain line-breaks.

As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.

There's also original pomes in the journal archives.

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