Friday, 13 July 2012

Kokinshu #272

Friday, 13 July 2012 06:57
lnhammer: the Chinese character for poetry, red on white background (Default)
A poem attached to a chrysanthemum flower planted in a suhama for a chrysanthemum contest during the same reign; written on a depiction of chrysanthemums planted in Fukiage Beach.

    White chrysanthemums
standing in Fukiage
    where autumn winds blow --
they are flowers, are they not? --
might they be approaching waves?

—25 June 2012

Original by Sugawara no Michizane (845–903). Born to an academic family, Michizane was not only a leading Chinese scholar of his generation but with Emperor Uda's patronage rose to Minister of the Right based on his abilities and his not being a Fujiwara. After Uda's abdication, political opponents lead by Tokihira (see #230) had Michizane demoted on trumped-up charges in 901, and he died in an obscure provincial posting. After a series of calamities were attributed to his vengeful spirit, including the deaths of Tokihira and Sugane (see #212), in propitiation he was deified as Tenjin, initially a storm-god but now a patron of scholars, especially of students taking exams. He has two poems in the Kokinshu. ¶ Uda held this contest around 891. A suhama is a tray with an elaborate model landscape used collect the entries, be they flowers or poems or whatnot, in these sorts of contests. Apparently this particular one was a model of Fukiage Beach, near modern Wakayama City, whose name is used as a pivot-word on fuki = "blowing." The effect of three question-marking particles in the last two lines is a startled hesitance (much like in #159) rather than the either-or alternatives probably intended. For the reverse comparison of whitecaps to flowers, see #250.


akikaze no
fukiage ni tateru
shiragiku wa
hana ka aranu ka
nami no yosuru ka


---L.

About

Warning: contents contain line-breaks.

As language practice, I like to translate poetry. My current project is Chinese, with practice focused on Tang Dynasty poetry. Previously this was classical Japanese, most recently working through the Kokinshu anthology (archived here). Suggestions, corrections, and questions always welcome.

There's also original pomes in the journal archives.

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